A new work by Koji Ishikawa! I’m so happy! Thank you so much.  
I’ve always loved Mr. Ishikawa’s picture books with their vibrant colors, and it’s been six years since I first went to talk to him about creating a Digital Ehon together.


At first, I had thought we’d start with my favorite “Cut-Out Picture Book Series,” but as we discussed it further, we decided to create the world’s slowest-moving Digital Ehon based on *Fune-kun’s Journey*, and we even held the “Fune-kun’s Journey Exhibition.”
　
Here’s a reprint of what he shared with me at that time.
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“Can Classics Be Born from Digital Media?”
　
　Koji Ishikawa is an active picture book author. He began his career as an illustrator and has worked across a wide range of genres, including magazines, the web, and advertising.Inspired by his selection for the 2004 Bologna International Children’s Book Illustration Exhibition, he began his career as a picture book author. His “Various Animals Hide-and-Seek” cut-out picture book series is a long-running bestseller with cumulative sales exceeding 1.55 million copies.Translated into languages including Chinese, Korean, and French, his warm and colorful works have garnered international attention. We spoke with Mr. Ishikawa, who moves effortlessly between digital and analog, as well as between Japan and the rest of the world.
　
　“During the multimedia boom, I thought picture books would eventually disappear,” she begins. “The multimedia boom was a movement to capture a movie-like world entirely on CD-ROMs. Even back then, while they were still called picture books, many titles featuring 3D or game-like elements began to appear.” Twenty years have passed since then. With the advent of new devices like the iPad, the same boom has returned.

　He says that back then, the boom had already faded before he could fully enter that world, but now he’s taking on the challenge of creating Digital Ehon books himself. This is because he believes it might now have the potential to establish itself as a distinct genre. “Compared to the computer screens, mice, and keyboards of the past, the iPad is incredibly easy to use—even children can operate it right away.I think the environment has improved significantly compared to before.” It seems technology has finally caught up with what he wants to express.

　Mr. Ishikawa begins by clarifying his own position. “I entered the digital world as an illustrator, and later turned my attention to paper picture books.” He says he views the digital realm from that perspective.

　“The format of paper picture books is already well-defined. However, Digital Ehon ranges from educational materials to interactive works—an extension of pop-up books—and even role-playing game-like experiences. The genre is still evolving,” he points out.However, based on this year’s judging process, she sees two major directions emerging. “One involves professional companies and authors expanding existing content to incorporate movement and interactivity. In this regard, I felt that fully realized works have already emerged. The other involves works by the general public who are taking on various challenges. I think there were truly diverse approaches.”

　While everyone is currently working in various directions to establish “Digital Ehon” as a distinct genre, he says he is focusing on whether “any works will emerge that will stand the test of time as classics.” In the world of picture books, there are works that can be considered classics—such as “Peek-a-Boo”—that have been beloved for many years. Of course, the creators may not have set out to make works that would be passed down to future generations.

　I once thought picture books might disappear, but I’m struck by the fact that the number of high-quality picture books has actually increased compared to the days of the multimedia boom. “I think this is the result of people experiencing the full range of digital expression and then rediscovering the merits of hand-drawn art and paper.” The presence of paper picture books has become even more pronounced precisely because they’ve gone through the digital era.He realized that paper picture books aren’t going away—they’ve actually become even more powerful.

“When making a movie, the original novel is, after all, a powerful force. It stands as an unshakable entity in its own right.” Since the constraints are fundamentally different, you can’t simply adapt a novel into a movie as-is. That’s why it’s crucial to figure out how to rework it in an engaging way.In some cases, it might become a completely different work, but it’s also possible for both to be masterpieces. The same goes for picture books. The original paper picture book stands as an unshakable foundation, and adapting it into a film or creating an interactive version requires a different kind of re-editing. You could call it a “recreation.” “It’s not a matter of which is better or worse.”

　Ishikawa creates illustrations and original artwork for picture books on a computer, and uses the internet to search for photographs and art museums as references for her drawings. On the other hand, at her annual solo exhibitions, she creates and exhibits many oil paintings and watercolors. Ishikawa aims to continue her creative work by moving back and forth between the digital and analog worlds.“The beauty of paper picture books is that you can hold them in your hands, feel their texture, and experience them with all five senses. The beauty of Digital Ehon is that you can interact with them yourself—zooming in, moving things around—and achieve things that couldn’t be expressed in a paper picture book. Both are fascinating.”

　Ishikawa has taken on various challenges with new forms of expression in the past. For example, *The Egg Picture Book* features an unprecedented mechanism where the pages open on three sides. She says she came up with this idea to realistically depict the act of “being born.”Until now, works were conceived and created on the premise of using paper as the medium, but if paper and digital were considered equally valid methods of expression, the resulting works would likely have been different.　Looking back on the works she’s created so far, she says there are some where she wonders if digital might actually have been a better fit. For example, she thinks *Is This an Adult?* and *Whose Tail Is This?* would have been better created digitally, but she feels that *Various Animals Playing Hide-and-Seek* wouldn’t be as interesting if digitized.In other words, some works are better suited for digital, while others are better suited for paper. It is precisely because Mr. Ishikawa fully understands the strengths of both paper and digital media that he is able to create new forms of expression.

Mr. Ishikawa is also the father of two children. How does he view his children’s relationship with tablets and other devices?
“I think it’s best to just keep things normal. Giving a baby an iPad from infancy won’t necessarily make them wonderful, but it won’t ruin them either. I think it’s important to thoroughly teach them the joys of both.” He says balance is key. You need vegetables, but you also need meat.You need rice, too. However, he points out that reading books is essential. “The ability to conjure images from words is one of the fundamental aspects of being human.” This likely means that both the ability to use one’s imagination to fill in the gaps created by text and the ability to select information independently from a vast amount of data are necessary.
“When I immerse myself in something for a while, I start wanting to try something new again. I always want to see new landscapes,” says Ishikawa. I’m looking forward to seeing what kind of Digital Ehon he’ll create.
https://creativekids.jp/nanako/?p=162